Your video and interview help is needed from August 23rd to 26th. Please send me your day(s) and time(s) you can assist Baltimore Music Conference. Four to eight hours would be most helpful, to be able to cover all the music, interviews and seminars.
Early Schedule of Events per website www.bmcon.org
Your videography and interview experience is really wanted and necessary for the
Baltimore Music Conference August 3rd, 24th, 25th, and 26th at Sonar Club and One Club, Saratoga Street…
We need 20 videographers, with their own equipment and crew on Thursday August 23rd movie, Friday August 24th, Saturday August 25th, and Sunday August 26th music schedule for the 2007 Baltimore Music Conference concert and seminar event… www.bmcon.com
If you are interested and can be present for certain times of the event, contact info@baltimoreupdate.info to be assigned as a video crew member.
What times can you be present from noon to 2 a.m. ?
- 12-4 pm (4 to 6 hrs.)
- 2-6 pm (4 to 6 hrs.)
- 4-8 pm (4 to 6 hrs.)
- 6-10 pm (4 to 6 hrs.)
- 8 pm -12 am (4 to 6 hrs.)
- 10 pm-2 am (4 to 6 hrs.)
- Noon-2 a.m. all day
Eugene Balbierz
Video Crew Co-Coordinator
Baltimore Music Conference 2007
baltimoreupdate@yahoo.com
YOU WILL NEED TO BE AVAILABLE FOR AT LEAST 6-12 hours.. This event requires you to work IN/OUTside and you will be on your feet … The hours will be 9 pm to 2am on Thursday and Friday and on Saturdays and Sunday from 12 pm noon to 2 am…. You will get for 6-12 hours, open access and you will get unpaid assigned breaks so that you may walk around the event, free access for at least one other day of the event, any food and beverages supplied. Please copy and paste table below and send back the days and times plus location you can videotape the music event:
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Venue
This year the BMC will be held at two popular downtown venues in the city. One is known for large up-scale events, the other is more underground but, much like the BMC itself, both are known to draw a varied and diverse clientelle… all of who love music and want to have a good time!Thursday -
Club One – 9pm – 2am – Music ShowcasesFriday -
Club One – 9pm – 2am – Music Showcases
Sonar – 9pm – 2am – details to be determined but we’ll be participating with their already scheduled showsSaturday -
Sonar – 2pm- 2am – Music Showcases
Club One – 2pm 8pm – Seminars
Club One – 9pm – 2am – Music Showcases
Saratoga Street – 2pm – 10pm – Music Showcases – vendors – promotional crews – live graffiti exhibition – food – artistsSunday -
Sonar – 2pm – 2am – Music Showcase
Club One – 2pm – 8pm – Seminars
Saratoga Street – 2pm – 10pm – Music Showcases – vendors – promotional crews – live graffiti exhibition – food – artistsSonar – 407 E Saratoga Street
www.sonarbaltimore.comClub One – 300 E Saratoga Street
www.onebaltimore.com
Seminars
Industry PanelsLearn what you need to succeed in the music biz!Our seminar series is an educational forum for the musician, the DJ, and for those interested in the workings of the music industry. The educational aspect of the BMC is one of much importance as we strive to prepare those wanting to work within the industry with the information and tools they need to succeed.Seminars, Workshops, Clinics and Panel Discussions will be held on Saturday, Aug 25th & Sunday, Aug 26th from 2pm until 8pm.Entrance to all seminars, workshops, clinics, and panel discussions is included in the ticket price for industry members attending. A $5 charge per seminar, a per day or per weekend charge can be paid at the gate for those ‘just curious’!
The following is a partial list of lectures, panels, clinics, and guest speakers. Watch this page for more information as we continue to set these up & add more!How To Release Your Own Records - (Saturday) This seminar will be a primer on how to get started releasing your own records and bypassing the antiquated for-profit label system that plagues the music industry presently.Michael Nestor – The Beechfields Record Label…
Michael Nestor plays in the band The Seldon Plan, Pupa’s Window and operates The Beechfields Record Label, a label that uses a non-traditional business model to get music out to people. In a world where everyone is hyping themselves to be “the next big thing” The Beechfields has quietly received critical acclaim for their model from local and national press. Having a roster of very successful independent musicians (Private Eleanor, Among Wolves, The Seldon Plan, The Stalking Horses, Neil Cotterill, and A Cat Called Cricket-to name a few),The Beechfields has proven that indie artists can use clever techniques and ingenuity to obtain commercial and critical success close to, and sometimes eclipsing, that seen by traditional labels.Michael has given seminars on the topic “How to release your own records” at both music conferences and universities, most recently at UMBC. In the era of iTunes and the internet, the possibilities for self-release and self-promotion are near endless. This has been demonstrated most recently by the astronomical success of the indie band Clap Your Hands Say Yeah.The Beechfields Record Label
www.thebeechfields.com
Songwriting – How Do They Do That? (Saturday & Sunday) Where does it come from?
How does it go from the hurt of a break up or the joy of new love to the next possible hit song?Join our panel of veteran songwriters as they discuss and share techniques, ideas, inspirations with others and help those just starting out discover their inner writer!Panelists:
OrnaMent – Independent Artist
Tislam – Unison Collective
John Fahres – Independent Artist
Michael Nealis – Private Nation
Wordsmith – Independent Artist
Michael Wiles – The Jumble Caper
Billy Deavers – The Jumble Caper
Ab Rock – Independent Artist
Brian DePristo – DJ/Producer/Writer
Justin Sheehy – Independent Artist
Navigating Independent Distribution (Saturday) A discussion of the process of securing distribution for an independent band, including
• what is distribution: “creating demand” versus “facilitating access”
• timing for an independent release,
• handling territorial rights
• advertising and promotion
• deciding between a straight distribution deal versus a Manufacturing & Distribution deal
• cost management
• pitfalls to avoidDavid Andler – Morphius records…
David Andler is C.E.O./President of the Baltimore-based record company, distributor and music media manufacturer Morphius Records, Inc., the company he founded in 1993. Over the last 15 years, the Morphius label has signed urban artists such as Rod Lee, Little Clayway, and Labtekwon, and rock/punk artists such as X, The Pietasters, and Pere Ubu. Morphius currently distributes more than 10,000 releases, all of which are available on www.morphius.com.
MorphiusDisc Mfg handles CD & DVD manufacturing as well vinyl pressing for high profile companies like Armani Exchange, ReR Megacorp, Club Kingz, and many others throughout the North America and Europe. An experienced recording & mixing engineer, David spends some of his time working as a producer in Morphius Records’ in-house studio facility Lord Baltimore Recordings. Since the early nineties, he has produced a wide variety of recordings for many nationally known artists (see www.lordbaltimorerecording.com), and is also an accomplished drummer & arranger, having studied percussion at both Musician’s Institute and George Washington University.
Over the last two decades, David has done literally hundreds of performances in touring bands such as Octopus, National Razor, and Boneclub, and with internationally known rock singers like John Stabb, David Thomas, & Shawn Stern.Morphius Records, Inc.
100 East 23rd Street
Baltimore, MD 21218
410-662-0112 tel. (xtn 102)
410-662-0116 fax.
www.morphius.com
Promo 101 – Getting Your Name/Show/Party/Business Out There! Ever wonder why Tom’s band always has a huge fan base there to see them play? Or why Dick’s party is always packed. And how does Jane sell all of those widgets?
Well Spot would tell you, it’s all about marketing and promoting what it is you have to offer people!
Join some of the big dogs of the industry as they discuss ways to promote, market and make your ventures successful.Panelists:
Steve Gordon – Steez Promotion/Sonar
Evan Weinstein – Ultraworld/Sonar
LG Concannon – Sonic Soul/Mosaic
Mike Beyer – Family Productions/Mosaic
more to be announced
Build Your Own Guitar (Saturday) Find out how to construct your own guitar from scratch and ways to build your very own dream parts guitar.
Discover various building methods of the music industry leaders such as Taylor, Martin, Fender, Gibson and Paul Reed Smith.
Learn basic set ups and do-it-your self modifications that you can use to do on your own.
There will be a power point slide show with pictures of guitars in all stages of being built.
The presentation will last 1 hour and allow time for a question and answer session.Lee Hirschmann – Certified Luthier
Lee is a recent graduate of the famous Roberto-Venn school of luthiery. He has been repairing guitars for 4 years and building custom guitars for 2 years. Having built both electric and acoustic guitars as well as making a mandolin, he owns and operates a small repair shop located in Carroll County. In addition he is one of two builders working for Pat Murray Guitars.
His guitars have a one of a kind patented neck joint that is still new to the music industry known as invisabolt technology. In addition to his building and repairing guitars, he has been teaching for 3 years and playing for 8 years.
Lee has worked in retail music stores, both small and large scaled, as well as managed one. he presently works for Bill’s Music House in Catonsville, Md.Lee Hirschmann
LHIRSCHMANN@BILLSMUSIC.COM
410 747 1902
410-795-2611
Presented By Bill’s Music House Multi-track Recording Techniques for Songwriters (Saturday) The focus of this class will be constructive tips and suggestions for recording your original songs. Ways the pros use recording gear when they are in the creative process.CJ Jones…
CJ is a Nashville Songwriter and composer working for Roland Corp, US. He has performed with artists as diverse as Leif Garret, Edgar Winter, Susan Anton, Tori Amos and many others. CJ also landed a publishing deal which resulted in much of his music being used for film and television soundtracks. He currently conducts recording seminars and clinics all over the United States.
Presented By Bills Music House & Roland Corporation, US “Kill All The Lawyers”.. Don’t Sweat The Small Stuff Entertainment attorney John Robertson discusses contracts, your rights and legal issues within the music business.John T Robertson Jr. Esquire
John T. Robertson, Jr. Esquire: (Attorney, Musician, label owner)
Since 1987, after his 20-year professional music career, John has focused his legal practice and entrepreneurial pursuits on the entertainment industry and has represented and managed entertainers, sports’ celebrities and various other entertainment clients and in the entertainment industry. He has also owned, represented and managed numerous entertainment businesses including Tug McGraw’s sports and entertainment management and marketing company (McGraw and Company) independent record labels, Karma 33 Records (with recording Artist: Dean Davidson and Grammy winning producer, Phil Nicolo), Judgment/RCA Records (formerly Ruffhouse/Columbia Records); Powerhouse Entertainment Group and Grammy Award winning independent record label, Libertad/Universal Records, a multi-media record, music publishing, film company.John is currently serving his second term as a Governor of the National Academy of Recording Arts and Sciences (NARAS: The GRAMMYS), and was its former Secretary-Treasurer of the Executive Committee.
John is Partner/Chair of the Intellectual Property / Entertainment law Division of Philadelphia based law firm of Hepburn, Robertson, Axelrod & White, LLC.John T. Robertson, Jr., Esquire
Hepburn, Robertson, Axelrod & White, LLC
Two Penn Center Plaza, Suite 1820
Philadelphia, PENNSYLVANIA 19103
215.557-9066
215.568-0204 (fax)
jr@hepburnlaw.com
www.myspace.com/powerhouse52(Member NY, PA, NJ, FL Bars)
Chair of the Intellectual Property / Entertainment Law Division Production Deals: “Word To The Wise” David Ivory and John Robertson host a panel to discuss production and all that goes along with itDavid Ivory – Producer/Engineer
Billboard Magazine cited that if the U.S. music industry hit a wall in 2001, in 2002, the floor collapsed. In this particularly troubled climate, a producer’s role has been widened to include many more facets than just producing. No longer do the labels or artist hire engineers, programmers, arrangers, and songwriters to develop their talent. The business with its technology has embraced more of a one-on-one approach to the record making process. In order to fully understand the process of both survival and ultimately, success in today’s world of music one must take a look at the people who are doing it right now.With two new records just released (SILVERTIDE/American Excess on J Records and KINDRED / Far away on Hidden Beach/Sony), GRAMMY® nominated David Ivory is one of those people!Beginning, as many producers often do, Ivory started as a musician. Playing, writing and recording material for himself, and others, coming up in the local original music scene. As one thing leads to another, Ivory finds himself building studios and recording these songs and artists. The marriage of songwriting and engineering allows Ivory to develop and grow as a producer. Ivory’s production style incorporates his many diverse musical influences. Though Ivory’s roots are in rock his first big shot came recording and developing the sound for “The Roots” (which later evolved into “Neo-Soul”). While that lead to many more amazing records with the talents of E Badu / D’Angelo / Common and Zapp Mama to name a few, Ivory stayed active in producing independent rock acts receiving national radio play.This ability to wear many hats makes him a “one-stop shop” for many artists needs. Ivory throughout his career has established many long lasting relationships. From A&R execs at major and indie labels to the hottest regional session players. Ivory’s convictions on songwriting and building upon the production side of his craft are best described in his own words. “Don’t settle, go the extra distance, make your songs the best they can be. Do less to do more. It’s not cliché it’s the truth”.Having a co-writing/publishing track record that saw his “What’s The Story” placed on Molly Hatchett’s Lightning Strikes Twice Atlantic Records LP to most recently with J Record’s newest signing Silvertide and his co-write of their first single “Mary Jane,” Ivory is not your “traditional” producer. “A song is no different from a great film. It should take you on a journey with new events at every turn. It should hold your attention from start to end,” says Ivory.Ivory’s work in the studio (whether it was at his first studio, Iris Studio or later at the famed Sigma Sound Studios where he garnered numerous gold and platinum records) placed him directly in the line-of-fire with many emerging acts that would go on to hit big and even re-direct the parts of the music industry. Beginning with his collaborative efforts with a then underground hip hop group called The Roots to his work with Erykah Badu, Ivory began to hone the ability to capture sounds for an artist and have it translate into a masterful performance.Deciding it was time to take everything up a few notches, Ivory began looking to build a facility that would have a more personal and focused atmosphere. “There is a big demand for what I do because artists can only usually get so far with out the help of an experienced producer…one who can record, arrange and write in order to get it to the next level.” A place that would allow an artist to feel uninhibited working in a recording studio with a producer or writing material.The result…Dylanava Studios…a quiet, convenient suburban (Outside of Philadelphia) setting that supports a concentration on creativity and expression while avoiding all the distractions of a major city.Located on approximately 3 acres outside of the white noise of a major metropolis, the on site tracking/production facility enables an artist the opportunity to unwind in a quaint cabin dubbed “The Vinyl Room” where classic listening sessions occur fireside (literally).Since opening Dylanava Studios, Ivory has been working at a frenetic pace beginning with his work on the new Hidden Beach/Sony Music’s Kindred, co-producing their first and second singles “Rhythm of Life” and “Far Away.” Through his working with Kindred to his recent efforts as co-writer/producer/engineer with Silvertide, Ivory believes that “the best bands are never afraid of being themselves.”Ivory Productions, the other “artery” to Ivory’s organization, is a company that works with entertainment attorneys, artist management agencies such as Allure Media Entertainment, song writers, other producers and artists to create synergy. Working to place the focus back on his role with a group, Ivory contends, “The trend should be to forget the contacts and focus more on producing the music.[Bands/Artists] think that a lawyer should shop the music and the producer should make the music. I believe that a band will shop itself if the material and live show is the best it can be.” Ivory backs that point in talking about Silvertide, “A producer’s role becomes that of songwriter, engineer, manager, lawyer, parent and ultimately the vehicle that gets the group to the next level.”Ivory’s clients include both local and national artists/songwriters. The CBS network show Hack recently featured two songs co-written, produced and mixed by Ivory. Ivory Productions recording artist Baldwin (whose credits include the independently released film Without A Badge distributed by Universal Video Distribution), appears not only on the musical performance, but on the show as well. Subsequently, as a result of this appearance, Baldwin would be tapped to appear in the forthcoming HBO special Infamous starring John Leguizamo.Along with Baldwin, Ivory scored a major label coup with Northeast Philadelphia’s Silvertide. Producing, arranging and even co-writing their first release for long time music industry icon Clive Davis and his J Records, “American Excess” is a perfect example of Ivory’s skills in developing a band from its’ beginning to a commercial release. One point well worth mentioning is that Clive Davis liked Ivory’s production so much that he made a special trip down to Philadelphia to see the band after hearing the demo!Another client of Ivory Productions, Bunny Sigler, a producer and songwriter for Patti Labele, the O’Jays and most recently, multi-platinum selling recording artist Nelly, is a longtime friend and writing partner with Ivory. This in turn, enables Ivory for new acts/writers to work with a lifer (who’s recently been nominated for a Grammy®/Song of the Year for Nelly’s number one radio smash hit “Dilemma.”)Why all this? Why Now…..It’s really very simple. Music sales continue to dwindle. Record companies are in perpetual downsize mode and one of our best forms of artistic expression-music-is becoming harder and harder to produce.David Ivory and Dylanava Studios are not looking to grace the covers of Forbes or Rolling Stone. Ivory is not looking to be booked to the point of total breakdown. He is an artist’s producer/writer/supporter who has developed a non-traditional way to continue advancing the production of great music. This is personal for Ivory, not some quarterly, machine-driven monster. It is, for lack of a p.r. term, his life, his passion and his story. A fine blend of making records that will last and that one listener or a major record company will get behind the way he does on all of his projects.www.ivoryproductions.comJohn Robertson – please see above So You’ve Made It Big, Now What Do You Do With All That Money?
“Music & Money”
There are six basics which must be in place before you sit down with potential investors/Angels to raise funding for your venture.
Investors will not give you credit for having four out of five of these items in place.
Find out how to make the investors’ job a little easier by doing your due diligence through the eyes of the investor, before presenting your project.
Your venture’s portfolio of disclosure and readiness must be complete John Robertson and Twilight Partners of Raymond James discuss asset management and business affairs.John Robertson – please see above
Twilight Partners of Raymond James – bio to be added!
Guitar Clinic (Sunday) Ever wanted to learn to play guitar? Now’s your chance with veteran guitarist Tom Newman.Tom Newman
Tom Newman is a real, true musician. Boiling in his veins is the talent of a true musical icon. With modesty, diligence and passion, Tom Newman works in every performance to create a musical atmosphere so fierce each audience member is left breathless and inspired.Tom is a native Washingtonian who started formally studying guitar at age 15 and turned professional before his 16th birthday. “I can remember traveling to Northern Virginia from Northwest DC by myself when I was 15 to practice for performances I had with guys three times my age.” His independence and maturity landed him many performance and learning opportunities at a young age. He attended Howard University and started teaching at the age of 18 years old. While at Howard, he recorded the hit record “Let’s Do the Latin Hustle” with Eddie Drennon and BBS Unlimited Band which formed in 1976. After graduation and through the years, he has played with such greats as Stanley Turrentine, Wilson Pickett, Roy Ayers, Lloyd Price and many others. As a teacher, he taught in D.C. Public Schools for 20 years as well as in his own private studio, private music schools and Bowie State University. Tom is a much sought after musician, be it in a live or studio situation. He is also a clinician having developed various workshops.His latest endeavor, The Tom Newman Project is a multi-styled musical ensemble. The group can go from Tom playing solo guitar to a progressive jazz trio/quartet to an eight piece vocal based group. The Tom Newman Project features music’s best of the best in Maryland, Washington, DC and VA, one of the best being vocalist Bryant “Lou” Roberts.www.tomnewmanmusic.tripod.com Recording on a Budget -Focus is on these main points -Tips on Choosing a Studio
What to look for when deciding where to record and what to expect from a recording studio. We will discuss everything from what an artist(s) should seek in a facility to what to expect from their engineer. Every studio runs differently but there are certain things artists should consider when choosing a place to record. Avoiding Costly Mistakes
When choosing a studio there is a lot to acknowledge. We will discuss how to understand the rates that a studio gives you. Even though you might find a lower priced studio compared to others their may be costs down the line that an artist didn’t expect. We will talk about the mistakes that can be avoided and in the end save you money and also make sure your project has the proper turn around. Preparation to Record
Once an artist(s) chooses a studio there is much they can do on their end to prepare. This can not only save money but also assure they produce the best project possible. How an artist(s) should prepare their instruments to record but how they should prepare mentally. It is a lot of hard work but we also want to recognize that it is also something fun! Billy Hickey – Studio 8121Billy Hickey has been the studio manager of Studio 8121 in Silver Spring, MD since early 2005. A graduate of Middle Tennessee State University studying both recording engineer and business, he works on both technical and business sides of the recording industry. Since being under his direction as studio manager and engineer, Studio 8121 has grown to become one of the top recording studios in the Washington DC, Maryland, Virginia areas. Excelling in both quality and service, Studio 8121 has become known as DC’s best option for recording among major and independent labels, as well as local artists just getting started.With over seven years of experience as a professional engineer, Billy has worked with many bands, artists, labels, and companies alike. With a collection of engineering work that spans from rock, to punk, jazz, hip-hop, gospel, and even country music, he has worked with most any type of group on demos and national major releases alike. As an advocate of centering a session on the artist’s performance, his recordings are filled with passion and energy. With Billy’s understanding of music, technology, and business he has helped many bands and artists complete their best albums on their tightest budget. He understands many of the demands and issues that young artists face and Billy also knows what it takes for these artists to accomplish their goals. His carrier has lead him to work with some of the industries top and most experienced musicians, and also given him the ability to help new artists get a start as well. Studio 8121
8121 Georgia Ave. Suite #90
Silver Spring, MD 20910
Phone: (301) 589-1800
Fax: (301) 589-1329
www.studio8121.com
Fiona Bloom – The Bloom Effect
The Bloom Effect
112 S. Portland Ave- Suite 3A
Brooklyn, NY 11217
Phone- 646-764-0004
www.thebloomeffect.com
Bill’s Music, Inc.
Bill’s Music in Catonsville, MD has been one of the East Coast’s largest musical instrument retail stores since 1965. Bill’s has two showrooms which are chock full of Guitars & Amps, Keyboards & Electronics, Brass & Woodwinds, Bluegrass & Strings, Drums & Percussion, Pro Audio & Recording, DJ & Lighting, Books & Videos and much more. In addition to the retail aspect of the store, Bill’s also offers private music lessons 7 days a week on most instruments, a quality repair facility, financing, rentals, consultations and many other services. Bill’s buys your used gear for ca$h and takes your trade-ins towards other equipment.
Monday-Thursday 9am-9pm
Friday – 9am-8pm
Saturday – 10am-6pm
Sunday – 12pm-4pm 743 Frederick Rd.
Catonsville, MD 21228
sales@billsmusic.com
www.billsmusic.com
www.billsmusiconline.com
http://www.myspace.com/168419264
410-747-1900 Ph.
410-747-5203 Fax
1-800-3-GUITARS Toll FreeDays, Times and additional Speakers to be added as confirmed
This event is fun and we encourage friends to sign up
together…however; we cannot always guarantee that you will be
assigned the same duties. It is imperative that you are available for
both days and it is important that you sign up only if you are
dependable and responsible. …. Do not sign up if you have ever
cancelled last minute or no-showed an event at any time…. We only
want professional workers on this event as it is a huge undertaking and
we will need the participation of every person hired….
Amenities for this event has not yet been determined but it will be in the
range of free access to all days if you work at least 12 hours of videography tasks.
You must work 2 days ; you must be dependable..
If you are interested in this event – please send your specific personal informations to info@baltimoreupdate.info and please put Baltimore Music Conference 2007 in the subject line.
Factoids:
The Baltimore Music Conference continues to bring recognition to music here in Baltimore as well as worldwide and to those that make it happen!
Add in educational forums, artists, vendors, film, dancers, plus more and you have undoubtedly, the hottest four day event in the Mid-Atlantic region!
1. Over 100 bands and DJs on multiple stages, indoor and outdoor
2. Over two dozen Seminars
3. Workshops and Demonstrations
4. Dance Performances
5. Visual Urban Artist Showcases
6. Skateboarding Demos
7. Video Game Room
8. Independent Movie Screenings
9. Merchants, Vendors, Artists and a slew of great Sponsors
10. Adolescent Events and Competitions focused on preserving music in schools
11. MUCH, much more
Attend…
As a fan, friend or family member of one of our many performers. A music industry rep, a venue owner, employee or patron. Music Lovers… Young or Old. Rock fan or Country fan. Dancer or “Train Spotter”. We welcome and invite everyone to attend one or all four days as there is something for everyone!
Volunteer…
During the planning stages and/or during the event, volunteers are needed for every aspect of the conference.
Sponsorship…
Join together with the BMC as a sponsor and place your name in front of the 1000’s of fans at the event, in our program, on our website and in all of our promotional materials leading up to the big event itself!
Seminars
Music Biz 101…
A major aspect of the conference is the seminars and workshops led by some of the most respected and well known in the music industry. We strongly believe through education comes better music, better performers, and better businessmen and women. Host a seminar, conduct a workshop, or join your peers for a panel discussion. Either way, you can help teach the up and coming both the old school way and and the new cutting edge as both have their place in the industry.
Promo Central…
We offer promotion availability to nightclubs, venues, promoters, and companies dedicated to promoting musical talent and wanting to bring local, national, and/or international talent to Baltimore
Keep the Music Alive!… Official Parties of the BMC…
Throughout the year, various clubs and venues host parties and special nights dedicated to raising awareness and funds in support of the BMC. Our volunteers help host & promote your event which in turn promotes you and the BMC and our shared belief in keeping the music alive!
Sell Your Wares or Strut Your Stuff…
vendor spaces are available throughout the event for food and merchandise as well as promotional spaces to let everyone know who you are and what you do.
The Line Up so far…
The Baltimore Music Conference is about supporting and nurturing the local Maryland scene, as well as bringing visiting talent into our city. Set up predominantly to showcase those who need exposure, but also those who have made a name for themselves in the music industry as we believe each benefits and can help one another.
This is what the BMC is all about!
Each year we showcase over 100 bands and DJs during the event giving our artists an audience of 1000’s that may not have discovered them yet.
Our, as of yet, unknown performers are the ones to “keep an eye on”. They are the newest, freshest acts out there in all genres of music from rock to jazz, house to hip hop, and blues to electronica.
Our veteran performers are the ones we extend our gratitude to for performing in support of the BMC and our efforts to save the music.
Pricing of Tickets
General Admission…
Thursday – $25
Friday or Sunday – $10
Saturday – $15
2 Day Pass (Sat/Sun) – $20
3 Day Pass (Fri/Sat/Sun) – $25
4 Day Pass – $40
Individual Seminar, Workshop or Demonstration – $5 each
Industry… Includes All Seminars, Workshops & Demonstrations
Thursday – $25
Friday – $10
Saturday – $25
Sunday – $20
2 Day Pass (Sat/Sun) – $35
3 Day Pass (Fri/Sat/Sun) – $40
4 Day Pass – $50
All Ages Event until 10pm
21+ after 10pmEugene Balbierz
Video Crew Co-Coordinator
Baltimore Music Conference 2007
